A man chooses an old widower's home for his first robbery, kicking off a set of events that have them both look at life in a new way and with new companions in the starkness of the city of Mumbai.
ٹریلر
کاسٹ
Vijay Maurya
Director
Jackie Shroff
V. S. Kamath
Neena Gupta
Parkash Kaur Handa
Abhishek Chauhan
Nanhe Gupta
Monika Panwar
Rawas
Faisal Malik
Baburam
Rakhi Sawant
Bilkis
Vinod Jaywant
Sonu Garhwali
Allauddin Khan
Liyaqat
Shashi Kiran
Sundar Sukhani
Priyadarshan Jadhav
Insp. Mane
Uday Sabnis
[Hawaldar] Sadanand Bhosle
Anushka Goel
Lachchoo
B M Vyas
Jumman Chacha
Mashhoor Amrohi
Randheer Handa
Barkati Patel
Nanu Bhai
Bharat Khetalpar
Chhagan Bhai
Sourav Singh
Kamath's Watchman #1
Nirmal Raghav
Kamath's Watchman #2
Vijay Maurya
Writer
Payal Arora
Writer
نیچے دیے گئے کارڈ پر ٹیپ کر کے مزید تفریحی انتخاب دیکھیں۔
آپ کو یہ بھی پسند آ سکتا ہے
Mast Mein Rehne Ka
Lost Ladies
Lantrani
Nazar Andaaz
Maamla Legal Hai
Deceptive Measures
Love Storiyaan
History Hunter
Masaba Masaba
Panchayat
Wanna Have a Good Time
Pop Kaun
TVF Pitchers [Hindi]
Hostel Daze
Kota Factory
Gram Chikitsalay
TVF Tripling
The Aam Aadmi Family
The Pyramid Scheme
Tharkistann
Bindiya Ke Bahubali
Kaakee Circus
Engineering Girls
Bandwaale
تبصرے
10 تبصرے
Mast mein rehne ka is a drama film directed by vijay maurya. The best thing about this film is the chemistry between the two pairs. The older pair of jackie shroff and neena gupta is more infectious and charming, boosted by scintillating performances by the latter and mainly by jackie dada. The young pair too is very good. Abhishek chauhan gets the north indian accent on point. Some problems arise in the screenplay. At some points, the scenes stretch too long. This was constantly taking away my attention from the film. Also, people in this film are too oblivious to the fact that someone might be following them. Your sixth sense works in those times, in this film it does not. The film does not romanticize the struggle and hardships of the city, it celebrates the city itself, making it a character of its own.
