The orphan Salome is the servant and devout follower of Maria Åkerblom, a charismatic sect leader. But as Salome befriends a rebellious outsider and starts to have doubts, Maria turns dangerous.
ٹریلر
کاسٹ
Pihla Viitala
Ida Maria Åkerblom
Satu Tuuli Karhu
Salome
Saga Sarkola
Malin
Elina Knihtilä
Saga
Tommi Korpela
Eino Rafael Vartiovaara
Rein Oja
Lindgren
Jan Korander
Lasse
Sonja Kuittinen
Palvelustyttö Anni
Satu Mikkelinen
Rouva Vartiovaara
Ilkka Heiskanen
Poliisipäällikkö
Markku Maalismaa
Syyttäjä
Ruut Neves
Elsa
Jarkko Lahti
Asianajaja
Juhani Laitala
Tuomari
Juha-Pekka Mikkola
Vanginvartija Kalle
Asko Sarkola
Pappi
Ruuben-Joosua Palu
Erik
Pille Trolla
Erikin äiti
آپ کو یہ بھی پسند آ سکتا ہے
Maria's Paradise
Hush
Rat King
Deadwind
Arctic Circle
Cold Courage
Utö
The Diplomat
The Assassin
Hell University
The Inmate
Swimming with Sharks
Control Z
The Testaments
Ponies
Living Life
House of Lies
Unchosen
Kakegurui
The Dark Dice
The Bureau
Breathe: Into the Shadows
Betrayal
The Truth Within
تبصرے
5 تبصرے
It is really hard to understand, how such interesting story can be ruined by a movie. Story would contain much more, but this movie is really dificult to watch. It is soooo boring. Of course, you can find most sins of modern finnish movies included: poorly made rhythm of the scenes, unclear speech etc. Can be found in this movie.
For a story inspired by real events, hardly anything could be more intriguing than such a religious sect experience. A spooky over-natural element and the use of ideological violence take us right into the heat. The two faced leader has a generous caretaker side but was apparently also a self-serving nutcase. This impulsive tyrant picks herself a lucky orphan girl, Salome, as her girl-power ally. From here on our destined main company is this almost totally will lacking honorary friend, played by Satu Tuuli Karhu. Her curiously expressive eyes are full of life, but she isn't underway to sweep us off our feet with a whole lot of character traits. Instead we find ourselves kept in the dark and often puzzled, when an emotional scene plays out. If the director's intended reaction was a positive or a negative is many times hard to figure out.
Unrealistic to portray these folks in a religious cult listening to jazz music as they would've almost certainly would've thought it evil. They would've listened to hymns or marches in reality. It's lame how directors always assume EVERYONE in that time listened to jazz. It's like saying everyone liked Rap in the 80s or everyone liked Grunge in the 90s. Irresponsible storytelling.
