ایک طلاق یافتہ شخص تھمی "کاگیسو موڈوپ" قسمت سے باہر ہے اور اس نے اپنی بیٹی لیراٹو "تشیمیلو موڈوپ" تک رسائی سے انکار کردیا۔ مایوس ہوکر وہ معاملات کو اپنے ہاتھوں میں لینے اور اسے اسکول سے اغوا کرنے کا فیصلہ کرتا ہے۔
ٹریلر
کاسٹ
Kagiso Modupe
Thami Radebe
Tshimollo Modupe
Lerato
Samela Tyelbooi
Noluthando
Nolo Phiri
Detective Nkala
Thato Molamu
Jake
Connie Chiume
Gogo on Bus
Ayanda Borotho
Principal Modise
Patrick Mofokeng
Station Commander
Don Mlangeni
SWAT Commander
Mandla Gaduka
Constable Xaba
Mapaseka Koetle Nyokong
Bus Hostess
Zandile Msutwana
Teacher
Hector Rabotabi
Male Passenger
Mpho Molepo
Bus Preacher
Fezile Makhanya
Sniper
Gabisile Tshabalala
Pregnant Passenger
Mmarona Motshegoa
Little Kgomotso's Mother
Thulani Msiza
Kgomotso's Father
آپ کو یہ بھی پسند آ سکتا ہے
Losing Lerato
Samson
How to Steal 2 Million
Ithonga
The Black Door
Isitha: The Enemy
iNumber Number
Spartacus: House of Ashur
Chicago Fire
Rush
Pedal to Metal
The Madison
The Cape
War of Faith
Returned Master
Ariza
Diablo Guardián
Algojo
Underground
Kaattaan
Stealth Walker
Undercover Law
Champion
One Good Day
تبصرے
9 تبصرے
...
v
a must watch
check it out and comment for part 2 if u want it 👍
I anticipated to watch Kagiso's other movie LOSING LERATO &wheb I did, I discovered it lacked in depth & pacing The movie was boring & felt long .& Now again THIS project lacks the same thing, I don't know if it's his trademark or he is blind to see it. The idea behind the story is catchy & the set up visuals are top notch But coz there isn't depth, the viewer hardly cares about any character coz there is no buildup, the story rushes to create the tragedy of the movie by sacrificing depth & hence the pacing becomes mediocre. We jump from scene to scene affecting the entire movie pacing coz one min she is on point A then next point C & the next point D There is zero transition from one scene to the next, which makes it feel like we watching cuts that are easy to join & make up run time Like okay Thando has problems & the problem will affect her & she triumphs end of story. You don't get to see Thando struggle with emotions, how her school crush came about & what type of a friend her bestie is. We are tossed into the whole thing & only tricked to have remorse for her coz they spilt milk on her or perhaps because she doesn't smile . We don't even get to know how the problem is, we just see it fly into action & boom well here is the bad guy Next scene people !! Ai im.dissapointed truly I wanna like Kagisos work but ai this is so boring can't even fall asleep, this movie should be forwarded to intelligence to use for torturing purposes coz haikhona.
I anticipated to watch Kagiso's other movie LOSING LERATO &wheb I did, I discovered it lacked in depth & pacing The movie was boring & felt long .& Now again THIS project lacks the same thing, I don't know if it's his trademark or he is blind to see it. The idea behind the story is catchy & the set up visuals are top notch But coz there isn't depth, the viewer hardly cares about any character coz there is no buildup, the story rushes to create the tragedy of the movie by sacrificing depth & hence the pacing becomes mediocre. We jump from scene to scene affecting the entire movie pacing coz one min she is on point A then next point C & the next point D There is zero transition from one scene to the next, which makes it feel like we watching cuts that are easy to join & make up run time Like okay Thando has problems & the problem will affect her & she triumphs end of story. You don't get to see Thando struggle with emotions, how her school crush came about & what type of a friend her bestie is. We are tossed into the whole thing & only tricked to have remorse for her coz they spilt milk on her or perhaps because she doesn't smile . We don't even get to know how the problem is, we just see it fly into action & boom well here is the bad guy Next scene people !! Ai im.dissapointed truly I wanna like Kagisos work but ai this is so boring can't even fall asleep, this movie should be forwarded to intelligence to use for torturing purposes coz haikhona.
