Working as a dance instructor, 27 year old Pranav Kulkarni (Rishi Saxena) follows the "Gud Boy Formula" that allows him to get close to girls without the added baggage of a relationship.
Bande-annonce
Casting
Badrysh
Director
Khushboo Tawde
Shivani
Rishi Saxena
Pranav
Anuupam Purohit
Writer
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Commentaires
4 commentaires
Are the makers seriously made some thing or were joking with themselves from where did they find such actors who doesn't know how to speak forget acting from where they found such a director and a story writer or simply they started the camera and ask everybody to speak something why this is even on imdb forget about positive stars this is doesn't deserve negative star also stay away from this or it will depress you
His was recommended by a friend who said that the first two episodes are choppy and he is correct. It is weird and makes no sense. However, the show does go into high gear idiotic antics that you expect from a comedy. As soon as the 'Ghussu' character joins the show, it is all fun. The sidekick dude is really funny and might be the breakout star here. The lead of Rishi is alright and I see him struggling with marathi, as he has done with his past shows. However, I don't think they cast him for his marathi, he has a chiseled body that the girls would like and they makers have smartly used it. LOL. Also, the lead actress might be too old for the role, they should have chosen someone younger. In fact the girl who has affair with Rishi's character should have been the lead. That being said, this is not high art and it is a light raunch comedy that beats around the bush with going full Grand Masti. I wish they spent more money with these shows and spend money with sound and editing. This could have been a wonderful show overall but it is what it is. I usually don't write reviews but this show did surprise me, especially with the ending. MX player needs to buckle up. I don't mind if there is part 2. LOL.
Avoid it, below average content repeated many times in the past. Poor script ,boring execution , over acting .
