تصبح مضيفة الطيران الأمريكية (جينا) وحيدة ومكتئبة بعد انتحار حبيبها، فتسافر إلى باريس، وهناك تلتقي ب(جيروم) وهو نادل يعمل في ملهى ليلي، لتقع في حبه بعد ذلك، لكنه عندما تظهر حبيبة (جيروم) السابقة، تجد (جينا) نفسها مُحاصرة في شبكة من سوء التواصل، والحب الغير متبادل.
الإعلان الترويجي
طاقم العمل
Nathan Silver
Director
Lindsay Burdge
Gina
Damien Bonnard
Jérôme
Damien Bonnard
Paul
Esther Garrel
Clémence
Lola Bessis
Charlie
Jacques Nolot
Franz
Françoise Lebrun
Landlady
Cindy Silver
Lorraine
Valerie Laury
Faye
Alice de Lencquesaing
Sophie
Christian Chaussex
The Bum
Abella Batienko
Tarot Card Reader
Gaelle Malandrone
Female Bartender
Lubna Playoust
Waitress
Zoé Philippot
Micky
Laure Hennequart
Ginger
Nadia Moussa
Nadia
Béatrice Michel
Shuttle Driver
Sofiane Tigrine
Taxi Driver
Nathan Silver
Writer
C. Mason Wells
Writer
اضغط على إحدى البطاقات بالأسفل لاكتشاف المزيد من اختيارات الترفيه.
قد يعجبك أيضًا
شارع العطش
It Boy
30 Beats
You Deserve a Lover
السلطة اليونانية
الجنس والحياة
مديري
Love in the Air
Love Alarm
OK! Let's Get Divorced
Wednesday 3:30 PM
Beauty in Black
انت مجدي
Á La Carte
Not Suitable for Work
Dating in the Kitchen
للحب ألعاب نارية
You Me Her
Love at First Night
Forevermore
Gap
Sweet Combat
My Safe Zone
The Miniature Wife
التعليقات
5 تعليق
source: Thirst Street
Yes the movie was very good the acting superb great expose of love and its pain in rejuection can lead into psychosis. Very good movie but the enr totally copped it out. They should have been more than happy to let it end in a more natural way instead of going for the hollywood sensationalim
Seen at the Viennale 2017: after "Three Billboards..." the best movie at the Viennale (to me). Lindsay Burdge playing a stalking woman in need of love is absolute believable. Having been stalked by a woman for nearly one year in my own past, I can only congratulate the absolute realistic thoughts given to that girl by the script writers Nathan Silver and C. Mason Wells. Both have been at the cinema after the screening and told us that Ms. Burdge herself gave the final edge to her acting. I am a bit sorry that I did not ask for the microphone during the Q&A. Because Nathan Silver expressed more than once his sadness about the passing of the Viennale director (for the past 20 years) Hans Hurch in the Q&A-session. And somehow I had the feeling, one of the audience should answer this, because we all miss Mr. Hurch, who was always around and isn't anymore. A word from the audience itself might have helped all of us... another missed opportunity, sadly.
Thirst Street
