A triangular relationship between Eo Woo-dong, her husband Lee Dong, and fantasy character Moo-gong, highlights on the first half of the Joseon Dynasty and portrays the contradicted life of the high class people, criticizing the modern day Korean society.
الإعلان الترويجي
طاقم العمل
Do-bin Baek
Lee Dong
Eun-pi Kang
Hye-in
Yeo Wook-hwan
Moo-gong
Nam Kyung-eub
Vice Minister Park
Jang Young Yoo
King Seong-jong
Bom Lee
Myo-hong
Gi-doo Kim
Kim Sang-seon
Mi-ra Yook
Landlady
Yeong-dong Mun
Park Kang-cheong
Kim Young-woong
Minister of War
Jeong-seong Kim
Han Joong-seok
Young-sub Jung
Park Seol
Soo-Hyeon Ahn
Hye-in's Mother
Ji-man Eom
Executioner
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الطالب العميل
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التعليقات
4 تعليق
Hye-In (Song Eun-Chae) the daughter of a government official. She is beautiful and smart. Yi-Dong (Baek Do-Bin)is a royal family member and becomes interested in her. Using his charms, Yi-Dong eventually maries Hye-In. After their marriage, Yi-Dong continues his playboy ways with other women.He learns about a man named Moo-Gong (Yeo Wook-Hwan) who loves Hye-In. Yi-Dong becomes jealous and forces Hye-In to watch him make love to another woman. Hye-In takes takes revenge and changes her name to Er Woo Dong. She becomes the most famous Femme Fatale during the Joseon era. Very attractive and you will be able to ancient Korea's culture such clothing and class levels in the movie
LOST FLOWER EO WOO-DONG is a sumptuous South Korean historical drama that tells the true story of the title character, whose outlandish antics scandalised Joseon society many centuries ago. The first thing worth noting is that, although this film is quite low budget and set in just a handful of locations, it looks absolutely splendid in high definition and features many excellent costumes and effective set design. A shame, then, that the film's narrative is so long-winded and uninteresting. The protagonist is an outsider whose duality is made much of, but a lot of the material just seems to be an excuse for some laborious erotic scenes; this film's adult content is obvious from the get go, as various courtiers watch a striptease play out in front of them and comment eagerly on the action. Lengthy sex scenes are the order of the day here, and not much else, aside from a handful of melodramatic moments at the climax. Perhaps this is a film you have to be Korean to appreciate, but as a Western viewer it left me cold.
