بعد إطلاق النار على طالبة جامعية في (سنترال بارك) تندلع سلسلة من الحرائق الغامضة على مستوى المدينة، فيما تتهاوى عائلة ثرية تحت وطأة الأسرار العديدة التي يحتفظون بها.
الإعلان الترويجي
طاقم العمل
Jesse Peretz
Director
Haifaa Al-Mansour
Director
Liz Garbus
Director
Jemima Kirke
Regan
Wyatt Oleff
Charlie
Chase Sui Wonders
Samantha 'Sam'
Nico Tortorella
William
Omid Abtahi
Detective Ali 'Al' Parsa
Kathleen Munroe
Detective Patricia PJ McFadden
Xavier Clyde
Mercer
Alexandra Doke
Sewer Girl
Max Milner
Nicky Chaos
Beth Malone
Felicia
Geoff Pierson
Bill Sr.
John Cameron Mitchell
Amory Gould
Ashley Zukerman
Keith
Alexander Pineiro
Sol
Dylan T Jackson
Delirium 'DT' Tremens
Chaise Torio
Will
Michael Tow
Joe Yeung
Evangeline Decker
Cate
Garth Risk Hallberg
Writer
Stephanie Savage
Writer
Josh Schwartz
Writer
اضغط على إحدى البطاقات بالأسفل لاكتشاف المزيد من اختيارات الترفيه.
قد يعجبك أيضًا
City on Fire
مدينة تحترق
لا ينسى
الحق يقال
أجزاء منها
العودة للمنزل قبل حلول الظلام 2ج
الدفاع عن جاكوب
فتيات ساطعات
Defending Jacob
Now and Then
آمن
The Bay
أرض الخطيئة
والاندر الشاب
شتلاند
نهر سافاج
Suspicion
Bang
اليس
Possessions
تذكرتك
The Transporter
ملكة السكر
خادمة
التعليقات
10 تعليق
Having watched after reading negative riviews, I am surprise lots. This is an unique well crafted show. This is my genuine opinion. Not bad at all. Stories are not linier that interconnect each other. Each character has connected slightly. I can understand the connection as an episode proceeds. Music is also effective foreshadowing the each characters emotion and setting. Each actor shows quite good acting and persuasive. Why the negative opinions ?I presume that how the story is conved is preferrable. If you don't mind non linier way of story telling, you can like this one. Especially, if you like stories set on New York city. You can enjoy, I hope.
Inarticulate story telling and embarrassing representations of the culture, music and style of the early 2000's era this series sets out to portray is worse than annoying. Although some great actors, good cinematography and surface level production values (as are the hallmarks of Apple TV+'s signature big budget screen productions), the biggest takeaway from this series is how the multitude of real talent in filmmaking is mostly lost on the management of Apple's screen management endeavors. Nepotism well and truly alive here. City on Fire is to date the most poignant screen production of Apple's endeavors to date that begs the question; are huge budgets and attractive industry prestige enough to create good tv and film, or do the industry executives need to go out of their luxurious comfort zones to find the new best talents in writers, directors and creators? Overall, this series is nothing more than a confusing blemish on the Apple brand. Could Apple please dig deeper, as there is a serious responsibility to having the some of the most clout in cultural storytelling in todays troubled world.
