شقة 7 ألف

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Rosemary's Baby is one of my favourite films ever, still stands strong almost half a century later. I watch it time and time again and still notice new things. When I seen there was a prequel made I gave it no notice, proper eye roll stuff. Why? Can't they just leave a classic as is? Anyway! Was at a loss and put it in tonight, and I actually enjoyed it. The story line was good, I loved the Easter eggs of the original... its made me want to put on the OG again ha. I think the low score for this is unjustified, I think you need to have seen the OG for the groundwork of this story to understand it. If watched as a stand alone it would seem abit meh. So yeh pleasantly surprised... not a patch on OG but a welcomed reimagining using the original story and characters before beloved Rosmary moved in. On that note. I urge anybody that hasn't.... please watch ROSEMARYS BABY like now!

Okay. So I liked the period part of this. And did I remember before I started watching this that it was a prequel to Ira Levin's novel/Roman Polanski's film? No. Didn't dawn on me until I said to myself, "Self, there's Dianne Wiest! And she's doing a Ruth Gordon impression? Oh, duh. This is that Rosemary's Baby cash grab that was put into production because Satanic pregnancies are all the rage in this post-Dobbs landscape." I think this is the 8th devil fetus movie this year alone. But here we are. I like Dianne Wiest. I don't think Julie Garner was horrible. But this seemed more like a rehash of the Mia Farrow classic - with some aspects a scene-for-scene matchup. Yeah, it's with a single unwed mom set in the pre-Roe era. I mean that is the film's entire premise and reason for existing. But the film doesn't expand on the Leviniverse beyond saying that things at the Bramford go back before the Woodhouses moved in. Also, I don't get why they didn't just get Josh Groban for the Josh Groban guy. The did-get guy was easy to look at but the entire time I couldn't stop thinking he was supposed to be Josh Groban. The movie is watchable. Nothing groundbreaking, nothing must-see, nothing revelatory narrative-wise. It's fine. I did find the ending somewhat pleasant while odd but entirely foreseeable.