Street Photography: Gear, Style & On-the-Street Skills
This is where theory meets action. In this second course, taught by Troy Baird, we’ll head to the streets—equipped with knowledge, confidence, and the right gear. Whether you’re using a DSLR, film camera, or just your phone, we’ll explore how to make the most of it and begin developing a personal style that fits you. You’ll learn practical techniques like shooting from the hip, framing on the fly, reading the light, and navigating real-world challenges like nerves, distractions, and people. We’ll also cover gear setups, shooting modes, and the secrets to problem-solving in fast-moving environments. By the end of this course, you’ll be able to: * Choose the right camera, lens, and setup for your approach * Develop your own shooting style with intention and consistency * Handle real-life street photography scenarios with confidence Who’s this for? Creators ready to hit the street with intention. To succeed here, you should have a basic understanding of your camera or phone settings and be eager to experiment. Instructor bio: Troy Baird is an Australian film director and documentary filmmaker with over a decade of global experience. Alongside his documentary work, Troy has pursued his passion for street photography, traveling extensively to dynamic locations including Cuba, India, Nepal, Japan, Morocco, New York, and across Europe and Southeast Asia. His creative journey has taught him to adapt, pivot, and continually refine his approach, culminating in a 9-hour Skillshare Staff Pick class that distills insights from over 200 books, countless films, podcasts, online resources, and ten years of hands-on street photography experience. Troy’s mission is to help creatives discover their own artistic voice and express themselves through street photography.
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When to Engage with Your Subjects
When to Engage with Your Subjects
When to Engage with Your Subjects
When to Engage with Your Subjects
What to Expect When You Put in the Time
What to Expect When You Put in the Time
