Emanuelle in Prison

Women's Prison Massacre transcends the exploitation genre to become a genuinely good film in its own right. Although not for all tastes, those who appreciate this film would be well advised to seek it out. The film follows reporter Emanuelle (no, not that Emmanuelle)as she is imprisoned on trumped up charges. She finds herself trapped in a hell of violent inmates and corrupt guards and soon has to fight for survival. Things only get worse when a group of male death row inmates shows up. What separates Women's Prison Massacre from other WIP films is the extremely good filmmaking behind it. Bruno Mattei skillfully constructs a truly grim atmosphere, making excellent use of lighting and shadow, along with a superb soundtrack. Particularly noteworthy is the opening scene, which brings an artsy touch to this genre production. Run out and see it now!

I thought that Emanuelle In Prison was a good exploitation horror. It is about a woman called Emmanuelle who is a reporter, she manages to expose a corrupt official,and she is sent to prison on charges. what she does not know is that in the prison, the inmates are humiliated and tortured by the prison staff. one of the prison staff Albina who runs the prison. makes an enemy out of Emanuelle. Emanuelle and Albina start to fight each other with knives. There is a lot of blood in the movie as well as Strong Violence, Female Nudity and Lesbianism. I think that there is a very sleazy feel to the film. Which made it a good film to be able to watch.

Emanuelle Escapes from Hell is a classic Italian WIP flick with lashings of the old ultra-violence and loads of nudity & sleaze. This is one of trash auteur Bruno Mattei's many collaborations with Eurosleaze superstar Laura Gemser and a sequel to his previous Emanuelle film Violence in a Women's Prison (aka Emanuelle Reports from a Women's Prison). The film opens with a strange, almost avant garde play being performed by Emanuelle and her two friends to the rest of the prisoners, they have face-paint on and their faces are lit with a luminous green light as they describe themselves (their characters?) in bizarre prose to the audience. Suddenly it breaks into a frenzied riot when Warden suck-up, Albina starts insulting the play and bombarding the actors with rotten tomatoes. Eventually we come to learn that Emanuelle is incarcerated because she was in the process of uncovering a corrupt government official's involvement in a drug smuggling ring and was framed for possession of drugs then sentenced to 5 years in prison. She is intensely disliked by sadistic warden Colleen (Lorraine De Selle - Cannibal Ferox, Violence in a Women's Prison, The House on the Edge of the Park) and her equally cruel guards, as well as by the warden's pet prisoner - the aptly named (due to her Albino-ish looks) Albina. Subsequently we see Emanuelle on the receiving end of plenty of beatings, an attempted drowning, and threatened with a switchblade by these corrupt prison officials. Meanwhile, four convicts being transported to death row arrive at the prison to be housed temporarily. The convicts, lead by Italian exploitation regular and Gemser's real-life husband Gabriele Tinti, manage to escape and overrun the prison then take the warden hostage. Here the fun escalates - the men run wild, raping the female prisoners and shooting anyone in their way. In one scene the most psychotic of the bunch, the razor-wielding Blade, forces two lesbian lovers to dance with their male blow-up doll Bobby(?!) before violating them. Later on after her lover is killed by him, the other lesbian hides his dropped razor in her snatch and seduces him, resulting in one mutilated *! Overall, this is one fun little flick and a stellar effort from Bruno Mattei. There's plenty of the mandatory WIP sleaze - lesbianism, rapes, beatings, some vicious cat fights, the odd bit of gore, and a classic game of Russian roulette where the losers brains end up splattered all over Gabriele Tinti's face! Strangely enough, Gemser manages not to lose her clothes for the entire duration of the film, but there's plenty of other naked bodies on display for all you perverts. The first half of the film is straight-up WIP goodness, while the second half is more of a escaped-convicts-on-the-rampage type scenario but still excellent nonetheless. 8/10

WOMEN'S PRISON MASSACRE is a typically slapdash and exploitational Italian women-in-prison movie from Bruno Mattei. It's posited as an entry in the BLACK EMANUELLE series, and Laura Gemser does appear, but only as one of an ensemble cast. After a slow first third full of the usual cliches and nudity, the plot kicks in for real with the arrival of Gabriele Tinti and his bunch of psycho criminals who soon take over the prison and hold a bunch of women hostage. Unpleasant sleaze is the order of the day here, with plenty of nudity at first before the film descends into some shocking and splattery violence towards the climax. It's derived from other, better films like THE DEER HUNTER and it doesn't have much charm, although Mattei ladles in the mayhem in a bid to keep his viewers entertained.